Little Mouse​ ​ « If that were not enough, a touch of fantasy is added through shimmering celeste and a Danny Elfman-like female choir. Overall, this brief score is highly expressive in capturing the mouse’s antics while also exploring a few darker, more dramatic moments. » Reel Music ​ La Nourrice ​​ ​​« Dans une atmosphère étrange, comportant des titres rapides, haletants, cette nouvelle musique m'a encore une fois emballé ». La Musique de Film.net ​​ « La Nourrice is beautifully crafted score…a subtle but powerful work, the composer fashioning affecting and emotive sounding tone poems that haunt the listener, these beautiful and gloriously melodic cues are filled to overflowing with raw emotion and straight away capture one’s attention. » Movie Music International Mamie Lou ​ « The score is in a word stunning, it is affecting, haunting and truly emotive, like the composers other scores ie-Gloomy Eyes, it is a heartrending and accomplished collection of lilting and tender pieces that really do get to the listeners heart and soul. » Movie Music International ​ « Cyrille Marchesseau brought a lot to the table with the music, which carries the emotional intentions behind the writing. It was a very powerful moment for me in this collaboration. The experience began to exist for everyone when the music and sound design were added, bringing the sets and story to life. » XR Must ​ ​ Paper Birds ​ « The soul of this work lies in music. The main feature of the work is « Musical Wonder ». The film incorporates various styles of music such as jazz, symphony, and piano.The ending part is similar to Beat Saber, allowing the audience to personally play a piece of music composed by Cyrille Marchesseau with both hands in the work ». Info News ​​ …the composer producing delicate and fragile sounding nuances and slightly darker and more edgy compositions which he combines and layers upon each other to create a soundtrack that is totally mesmerizing and fully supportive of the production. The music, the images, and the narration combine seamlessly and beautifully to relate a story that is emotional and poignant. The musical score playing an important part in the storytelling and becoming an integral component of the filmmaking with the composer adding sounds and tone poems like carefully placed brush strokes to which he applies to an already appealing canvas of events that is being rolled out on screen. Movie Music International ​ « Look for the music from it is Paper Birds, this is a short animation movie, which has a stunning soundtrack…It is a tantalising and haunting score, which is for the most part fully symphonic, certainly worth a listen and adding to your collection, and whilst online checking it out also pay attention to Gloomy Eyes as this is a score I never tire of… » Movie Music International ​ ​ Gloomy Eyes ​ « It’s a completely transportive and beautiful experience, unlike anything I’ve ever seen before, and really connected with my passion of storytellin with an extraordinary music, absolutely stunning. I really felt like I snuck in the back door on this one and had to do very little to be a part of something very beautiful and quite profound ». Colin Farrell (Variety) ​​ « It is one of those soundtracks or movies that maybe you look at and say, “I will listen to or watch that later I think”. My advice is do not do that, listen to it straight away and if you can take a look at the film too. This is an award-winning VR experience…The musical score is in my opinion an accomplished one, the composer combining both symphonic and synthetic elements to fashion a work that is overflowing with themes and teaming with haunting nuances. To say that the soundtrack is inventive I feel would be an understatement,..the score is not comparable with any other composers work because of its stunning originality. » Movie Music International ​ ​Une barque sur l’Océan ​ « Un parallèle fécond entre amour et musique ». Télérama ​ « Une barque sur l’océan est une romance dramatique magnifiée par les images somptueuses et surtout la musique de Cyrille Marchesseau qui confèrent à l’histoire un charme intemporel, réinventant la tragédie de l’amour impossible.”Ciné Cinéphile ​ « Le score de Cyrille Marchesseau est essentiel à la réussite de son approche, et apporte ce supplément d’âme qui sonde les lagunes pour y trouver les joyaux enfouis. La bande originale est l’une des plus harmonieuses entendues depuis longtemps, une splendeur qui rehausse la vision du cinéaste. » Cine Dweller​​ ​ « One of his more recent scores is UN BARQUE SUR L’OCEAN, this is a delightful score, and one that I have to admit to listening to through about three times, not because I was finding it hard to be immersed and appreciate it, No, but because I liked it so much. The composer makes effective and emotive use of solo violin and cello, piano and delicately placed harp, which are interweaved with more strings and given support from subtle synthetic quarters, the use of female voice too, is affecting and ingratiating. The haunting wordless vocals, becoming difficult to not hear even when the track has ceased to play, combine this with poignant solo violin and a lush and mesmerising string section and there is very little you can do to resist it. This is a charming Movie Music International ​​